A christmas carol

The problem with Christmas movies

The first time I saw Love, Actually was upon its release in 2003. I thought it was generally fine, with good and bad bits jostling alongside one another, and scene-stealing performances by Bill Nighy and Emma Thompson going a long way to counteracting the dreadfulness of some of the supporting cast and general Richard Curtis-ness of it all. But what I was unprepared for was that it would go from being a reasonably enjoyable portmanteau rom-com into a film that epitomizes "the contemporary spirit of Christmas," or some such rubbish. Every year, it becomes ever more ubiquitous, whether on streaming platforms, television or even in theater re-releases. And every year, something inside me dies a little harder.

Deserves to be a permanent winter fixture: Potted Panto at the Garrick reviewed

From our UK edition

Potted Panto is a 70-minute parody presented by two burlesque comedians. Jeff is a tall, playful bungler and his colleague, Dan, is a squat, dour authoritarian who likes to see everything done efficiently. They leap on stage and declare their plan to present a compendium of the best-known Christmas shows. ‘All six of them,’ says Dan. ‘No, all twelve,’ contradicts Jeff, unfurling a list that includes classics from the TV schedules like A Christmas Carol and Das Boot. He insists that these non-pantos are included in their panto rundown. And so a war of opposites begins. Jeff is all appetite and instinct while Dan stands for reason and method. Or, in shorthand, Jeff is an infant and Dan is an adult.