Marvels of the masked ball: dressing up in Georgian London
In the satirical print ‘Remarkable Characters at Mrs Cornely’s Masquerade’ from February 1771, the Georgian craze for dressing up as fantastical characters is shown in all its theatricality and wild invention. The harlequin was always popular, as was the domino, but here we also have a ‘Savoyard’ (supposedly from Savoy) playing a hurdy-gurdy with his dancing bear in tow, a nun in full habit, ‘Mad Tom’ with wild hair and ragged clothes, and, perhaps weirdest of all, a coffin, decorated with a skull and crossbones. Peeping out from beneath its sombre frame are the two ridiculously dainty feet of the masquerader. At that time, masquerades (or ‘a diversion in which
