Cinema

The Drama makes no sense

The Drama is the latest from Norwegian writer-director Kristoffer Borgli whose films (Sick of Myself, Dream Scenario) always cause a stir, and this is no exception. It stars Hollywood big-hitters Robert Pattinson and Zendaya as a happily engaged couple whose forthcoming wedding may not go ahead after one discovers a disturbing truth about the other.

For those of a nervous disposition, is Sinners worth it?

Ryan Coogler’s Sinners won four Oscars and was nominated for 16 and I’d yet to see it. Sometimes the labels associated with a film can be off-putting and, for me, ‘horror’ and ‘vampires’ have the same effect as, say, ‘experimental’ or ‘like a poem’ or ‘directed by Michael Bay’. It’s now landed on the streamers

Toni Servillo’s face cannot bore: La Grazia reviewed

Paolo Sorrentino’s La Grazia is about an ageing Italian president who is coming to the end of his seven-year term, and must reflect on decisions made, decisions yet to be made and the moral complexities of life. Unusually for Sorrentino, who has a liking for the showy – Hand of God, The Great Beauty, Il

The Peaky Blinders film is surprisingly literate

Peaky Blinders: The Immortal Man is the film that fans of the television show have long been waiting for, so I must watch what I say. The story follows a group of exceptionally violent Birmingham gangsters operating between the wars and if you see it at the cinema you’ll hear a message before the opening

Stunningly original: Sound of Falling reviewed

Mascha Schilinski’s Sound of Falling, which won the Jury prize at Cannes, explores the lives of four generations of women growing up in the same rural farmhouse in Germany over the course of a century. It’s non-chronological, impressionistic, profoundly art-house and even though I am a fervent fan of linear storytelling – what can I

Fascinating: EPiC – Elvis Presley in Concert reviewed

EPiC: Elvis Presley In Concert is a concert documentary that grew out of the 65 boxes of unseen Las Vegas performances discovered by Baz Luhrmann while researching his 2022 biopic Elvis. As I have little interest in ‘the King’ I approached with a heavy heart. But now? I’m abundantly interested. In fact, I’ve shifted from

Doesn’t put a foot wrong: The Secret Agent reviewed

Kleber Mendonca Filho’s The Secret Agent, which is about an academic on the run during Brazil’s brutal military dictatorship, won two Golden Globes, and has been nominated for four Oscars, and it’s truly special even if it is languorous and sprawling. It is one of those long films (two hours and 40 minutes) populated by

Eye-catching but superficial: ‘Wuthering Heights’ reviewed

Emerald Fennell’s ‘Wuthering Heights’ had purists losing their minds from the get-go.  They lost their minds at the casting – Margot Robbie is too old for Cathy; Jacob Elordi is too white for Heathcliff – and then lost their minds at the trailer, which is all heaving bosoms and kinky vibes set to Charli XCX

Gripping: Melania reviewed

The documentary Melania, which follows the first lady in the 20 days leading up to her husband’s 2025 presidential inauguration, has already been savaged by critics. It is ‘shallow’ and ‘a shameless infomercial’ and ‘designer taxidermy’, and according to Variety, ‘if they showed this on a plane people would still walk out’. It is, it’s

Beautiful if hagiographic portrait of Godard

Richard Linklater’s Nouvelle Vague dramatises the (chaotic) making of Breathless (1960), Jean-Luc Godard’s French New Wave classic. It’s a film about a film, told mostly in the manner of that film, with the same kind of liveliness. Godard is as impossible to comprehend by the end as he was at the beginning  It isn’t necessary

The cruelty of H is for Hawk

H is for Hawk is an adaptation of the bestselling memoir by Helen Macdonald who, following the sudden death of her beloved father, channels her grief through the training of a goshawk, Mabel. The film stars Claire Foy, who is superb, as is the nature photography, but is it right, keeping a wild animal captive,

Ruthlessly manipulative: Hamnet reviewed

Hamnet is an imagined account of William Shakespeare’s marriage to Agnes (Anne) Hathaway, their unspeakable grief at the death of their son (the titular Hamnet) and how this may have inspired Shakespeare to write Hamlet. It stars Paul Mescal and an extraordinary Jessie Buckley, who will likely win every award going, yet be warned: it

Sublime: Song Sung Blue reviewed

Song Sung Blue is a musical biopic of the real-life Milwaukee couple who formed a Neil Diamond tribute act and never hit the big time, or anywhere near. At its heart is a love story – one that is beautifully told. It stars Hugh Jackman and Kate Hudson, who is so sublime that we may

Get Christmassy by watching Helen Mirren die

The Christmas film Goodbye June marks Kate Winslet’s directorial debut. It’s based on a screenplay by Joe Anders – the 21-year-old son she had with Sam Mendes. I would like to be gracious about it. But it would help if it were a better film. It’s about four, fractious adult children who are forced to

Noah Baumbach needs to try harder: Jay Kelly reviewed

Noah Baumbach’s Jay Kelly stars George Clooney as a handsome movie star playing a handsome movie star who has an identity crisis and is forced to reflect on his life. It’s being sold as a Hollywood satire, but it’s far too affectionate to be biting, and contains moments where it drowns in schmaltz. For a

Mrs Göring is far too sympathetic: Nuremberg reviewed

Nuremberg is one of those films that falls short on everything it wants to be and everything it could be. It’s a historical drama, set just before the trials, where an American psychiatrist (Rami Malek) is charged with assessing whether Hermann Göring (Russell Crowe), Hitler’s second in command, is fit to stand trial and to

Peak wackiness: Lanthimos’s Bugonia reviewed 

Bugonia is the latest film from Yorgos Lanthimos (The Favourite, The Lobster, Poor Things) and it’s about a conspiracy theorist who kidnaps a pharmaceutical boss. It’s extremely wacky – possibly in a good way, still not sure. You certainly get value for money; it smashes together several genres (absurdist comedy, sci-fi, thriller, body horror) and