Spectator Life

Spectator Life

An intelligent mix of culture, style, travel, food and property, as well as where to go and what to see.

How corporate twaddle makes us less productive

Bandwidth is troubling, because it’s just one of many phrases that assume we are mere cogs in the machine Allow me to totter onto my rickety soapbox for a second, and say: business jargon has gone too far. Buzzwords have become so entrenched into working life that they have, in effect, become a second language. One that, like a much-needed laxative, we are forced to digest to keep daily operations running smoothly. If you don’t use (or at least nod energetically along with) phrases like “low-hanging fruit” or suggest that someone “circle back” so that you can “create synergy,” and instead choose to communicate like an unlobotomized person, you’ll find yourself a virtual pariah.

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The car crash appeal of Charles Bukowski

My reading experiences with the poet and novelist Charles Bukowski (1920-94), once described by Time magazine as the “laureate of American lowlife,” have taught me an important truth about literature: that characters you hate can be at least as compelling as those you admire.    Take Henry Chinaski, the depressive, alcoholic protagonist of Bukowski’s five semi-autobiographical novels (he wrote six in total, as well as hundreds of poems and short stories). One of these in particular I have read so many times that the jacket is falling off: Women (1978), in which Bukowski’s alter-ego Chinaski enjoys – if that’s the right word – the rewards of literary fame after decades of obscurity.

I suspect a lot of TV is AI-generated

AI slop is not a new phenomenon. But it is becoming more prevalent as the lazy, the modish and the subliterate take advantage of an apparently beneficial and cost-free leap in technology that will save them the time and effort formerly required to construct a speech, résumé, article or image. I only started picking up on it myself quite recently. But now, when I get the feeling I’m being fed AI-generated pictures, I react like those dogs in the movies that are trained to spot Terminators. Thanks to the proliferation of sites such as Netflix, Amazon Prime, Apple TV, etc., there’s an awful lot of cable-TV slop about these days, as there has to be with all that space to fill, all those subscription costs to justify.

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Reveling in the music of words

There’s a chapter in this mostly illuminating and occasionally irritating book in which the author – the award-winning writer of The Hours and other acclaimed novels – explains why he no longer reads reviews of his work. The decision was prompted first by an “excoriating” hatchet job by Michiko Kakutani, erstwhile lead literary critic of the New York Times. “A worse review is difficult to imagine,” Cunningham notes, claiming that he has “mostly repressed the memory” of its contents, though he does share his rather macabre plan for revenge: to slip a copy of the book into her coffin so that “extra-terrestrial archaeologists” will assume she wanted to be buried with it.

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The new Spider-Man is a triumph of Hollywood professionalism

Remember Peter Parker? By the end of the last installment of the Spider-Man movies, No Way Home, we were the only ones who could. Following a complicated but deft collision of multiverses, young Peter (Tom Holland) had realized that the only way to save the world (again) was by getting Doctor Strange to cast a spell that made everybody – including his best friend Ned (Jacob Batalon) and girlfriend MJ (Zendaya) – forget that he’d ever been Spider-Man. He therefore began his Brand New Day alone in his apartment with only a highly evolved piece of AI for company. Sure, he’d returned to his roots of capturing local crooks by the dozen. But while this restored the hero status that J.

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wildfires

Tears and terror on the front line of the French wildfires

Provence As soon as I opened my front door I could smell it. Along the path, flakes of white ash landed on my arms. Looking north beyond the cliff, I saw a rapidly increasing plume of brown-black smoke. Before long it filled a third of the sky. Not again. Ten years ago, almost to the day, the concrete shack I was renting in the woods a few miles from the village was almost engulfed. Jeremy was having a break and staying with me when a wildfire broke out in the valley below. The smoke and flames looked about a quarter of a mile away and firefighting Canadairs flew low overhead. Friends told us to leave but I refused. I’d left everything behind in Scotland 18 months before and couldn’t face doing so again. Jeremy asked if he’d have to knock me out and throw me over his shoulder.

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There’s no excuse for a plastic plant

Monstera deliciosa, otherwise known as the Swiss cheese plant, is perhaps the most popular houseplant of them all, probably because it’s so easy to care for. In normal circumstances, you almost have to try to mess it up. A heatwave, however, can put a monstera under stress. Subject one to warm weather for too long and you’ll find its poor leaves scorched, its roots damaged and its stems desperately dehydrated. For this reason, you might feel the temptation to turn to a shockingly popular alternative: the plastic plant. It should be resisted at all costs. A potted history takes us back to the 1950s, when a postwar manufacturing boom saw the mass production of cheap polyvinyl chloride and polyethylene.

Why Marilyn Monroe is still as big a celebrity as ever

Marilyn Monroe would have celebrated her 100th birthday this year. My new biography of her begins with this story: she’s walking with a friend down Park Avenue dressed in a raincoat and sunglasses and without make-up. As the crowds stream past her, nobody gives her a second glance. Then she turns to her friend and asks, “Do you want to see me be her?” Without changing her hair or dress, the transformation begins and, after making some kind of inner psychological adjustment, she morphs from an ordinary woman into Marilyn Monroe, superstar. As her friend, the actress Susan Strasberg, recalled: “There she was – not the simple girl I’d been strolling with, but ‘Marilyn Monroe,’ resplendent, ready for her public. Now heads turned. People crowded around her.

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My top tips for Andy Burnham

I am cautiously optimistic about Britain’s new leader. For one thing, the fact that Andy Burnham went to Cambridge not Oxford, did not study PPE, is not a lawyer and did not grow up in Surrey makes him something of a diversity-hire among our more recent prime ministers. This gives us hope. It is a near-universal law of problem-solving that you cannot think your way out of problems using the same mindset that created them in the first place. One tip: government needs a marketing function. Rather than explaining itself to the public, it has endlessly sought to cadge publicity by ingratiating itself with the news media. As all journalists since Watergate are largely motivated by discrediting those in power, this is hopeless.

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‘A selfish, ignoble person’ – the dark side of the Nobel prize-winner Mario Vargas Llosa

In October 2010, when Gabriel García Márquez, by then suffering from dementia, was told that his former friend and rival had won the Nobel Prize for Literature, he inquired: “Who is Mario Vargas Llosa?” This tottering, always compulsive biography of the writer who died last year, which has taken 15 years to write (“I completely miscalculated its complications”) is Gerald Martin’s valiant answer. “Is there a life quite like this one anywhere in the western world in the second half of the 20th century?” In Martin’s breathless judgment, “this literary adventurer, politician, diplomat and warrior all rolled into one” was a single-minded workhorse whose sheer intensity, quality and variety of life was “almost literally incredible.

Is Music, Fashion, Film really the best Charli xcx can do?

Of the three creative pursuits that give Charli xcx’s eighth album its title, the English pop star seems least interested in the first. She admits as much on “Camera,” the best song on Music, Fashion, Film, which makes clear her obsession with acting and a desire to pursue it more fully. “Do I want to make music?” she asks herself. “Am I being fucking stupid if I try to be a girl on the screen and I’m turning 34?” Even without this clue – which, like much of the album, is presented via the singer throwing out rhetorical spiel more or less unexpurgated – it is no great stretch to surmise that the pursuit of making music is struggling to fully hold her attention.

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Why I need literary Viagra

“No man is a success to himself” wrote Graham Greene. I am feeling this acutely, as I turn 60 on September 1st and enter the Decade of Reckoning for uncomfortable life truths. As somebody whose literary ambition was only wanting to be a bestselling English social novelist, it’s been creeping up on me that if one hasn't written that Big Novel by one's sixth decade, then perhaps throwing in the quill is the only dignified thing to do.   In a desk drawer in my study, there is a cream envelope, postmarked September 1987. That August, I found myself sitting two tables from the Graham Greene in Chez Feliz, a fish restaurant just inside the walls of the old Antibes port.  He was 82, and lunching with his mistress Yvonne Cloetta.

The greatness of Sam Neill

The recent death of the actor Sam Neill, at the age of 78, was greeted with a mixture of surprise, sorrow and, in many quarters, unexpected grief. It is likely that Neill would have regarded the lavish tributes paid to him by actors, filmmakers and politicians with a mixture of embarrassment and quiet pride, because although he was a brilliantly versatile actor who managed to make a deep impression in virtually every role that he undertook over his five-decade-long career, he was also someone instinctively uncomfortable with the limelight.

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The appeal of asymmetry: Contrapposto, by Dave Eggers, reviewed

There are novelists who seem to spend their entire careers either apologizing for being themselves or trying to become someone else entirely. And then there’s Dave Eggers, who has spent much of the last quarter century trying – and, it has to be said, as far as one can tell, very happily succeeding – to become Dave Eggers. Ever since A Heartbreaking Work of Staggering Genius appeared in 2000, fulfilling almost entirely the audacious promise of its title, Eggers has occupied that peculiarly American position of being not simply Yet Another Novelist, but the Guy, the Man, the yardstick by which all others might be judged and found wanting. He’s a publisher, campaigner, literacy activist, editor, artist, children’s author, philanthropist and impresario.

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ballet

Three cheers for Britain’s most unabashedly elitist school

As we ponder the ups and downs of the UK’s sporting record this summer, it might be worth noting their unquestioned prowess when it comes to the demands of classically based dancing. The Royal Ballet is consistently more than a match for any comparable company in the world, and its chief feeder, the Royal Ballet School, currently celebrating its centenary, is similarly and solidly rated as one of the two or three best of its kind anywhere. Both these institutions are deeply beholden to tradition, and the RBS might well be the most unabashedly elitist educational establishment in the country. It receives globally more than 2,500 applications a year. All these will lead to an audition, the number finally whittled down to 30-odd offers of a full-time place.

Christian soldiers in retreat – the disastrous Fifth Crusade

The Fifth Crusade, which was fought between 1217 and 1221, marked a new direction for the crusading movement of the Middle Ages. Instead of invading Palestine, as the first three crusades had done, and the Fourth Crusade might have done, the crusaders decided to attack Egypt. That was not the original idea. The formidable Pope Innocent III, who launched the Fifth Crusade, had envisaged a repeat of the old strategy of marching on Jerusalem from the sea. The invasion of Egypt was decided on the initial wave of forces after they had reached the Levant. There was a sort of logic behind the decision. The crusading kingdom of Jerusalem had been destroyed in 1187, when its army had suffered a crushing defeat at the hands of Saladin at the Horns of Hattin above the Sea of Galilee.

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Why do political elites insist on posing as outsiders?

The American political elite have developed a peculiar habit of styling themselves as outsiders. The closer they stand to power, the less likely they are to claim it as their own. In fact, power always seems to be in the hands of someone else, someone located just out of sight. So where exactly does it reside in this late-stage republic? Nobody seems quite certain. Two new political memoirs, one seeking to clarify the past, the other aimed implicitly toward the future, share this bewilderment. Surprisingly, they also share a good deal else. There is a common obsession with European heritage, Jill Biden through her Italian roots, and J.D. Vance through his love of Great Britain and his adopted Roman Catholicism.

Are you a party bore?

Some years ago, I managed to get an invitation to a very exclusive party. One of the guests was Prince Philip, consort to Elizabeth II, and some way into the evening he drifted over in my direction. He used the classic royal conversation opener: “Hello, what’s been keeping you busy?” “I work in marketing,” I replied. “Oh dear,” he said. He turned away and went to find someone more interesting. I was officially boring. That’s fine, because I have made it my lifetime’s work to seek out the boring at parties. Those who drone on, those who tell the same story over and over, and those with that odd nasal monotone that makes most people desperate to escape their company. I am not alone in this. C.S. Lewis did the same thing.

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Confessions II gets thrillingly close to vintage Madonna

There comes a point in the career of any established artist when looking backward seems to be the only possible way to move forward. Madonna was a great pop star until she wasn’t. Confessions on a Dance Floor, released in 2005, was her last really successful record; “Hung Up,” from that album, her last truly unforgettable single. Ever since she has been chasing musical trends with increasingly diminishing returns, the heavy-handed concepts and contrived personae – Madame X, anyone? – no longer supported by anything approaching a properly decent song. Ms Ciccone seems to have belatedly remembered that Madonna is, and always has been, the concept So Confessions II is an act of both commercial and creative necessity. Its reclamation of the past is twofold.

Did girls win the gender reveal wars?

I am currently six months pregnant with my second child, and it feels like a rather strange time to be so. Partly because these unexpectedly long spells of warm weather have rendered me umbilically tethered to a fan at all times, which has done terrible things to my electricity bills. Partly because every morning I seem to wake up to a new maternity scandal and must navigate between newsfeeds in which women trauma-dump their horrendous birth stories or hypnobirthing experts chanting that my “body was made to do this”.   Another reason I feel discombobulated is that I am pregnant with my second son, and yet everywhere I turn, there seems to be a preference for baby girls over baby boys.

The uncertainty principle: The Interpreter’s Secret, by Andrew Rosenheim, reviewed

You can’t really make this stuff up any more, political reality having long since outpaced fiction, but thank goodness there are people who continue to try. Recent history has supplied more than enough intrigue, misinformation, diplomatic doublespeak and sheer zone-flooding mad shit to challenge even the most inventive writer of political thrillers, but fortunately Andrew Rosenheim is more than up for it.

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Persistent gossip about Brian Epstein’s death risks defining his life

We know the facts about Brian Epstein’s death. The Beatles’ manager died in bed at his Belgravia home on August 27, 1967, six years after he struck gold in a Liverpool cellar, a month before his contract to manage the Beatles was due to end and four weeks after homosexual acts between men were partly decriminalized. At the time of his death, the 32-year-old Epstein was addicted, adrift and depressed – not least as a result of a long effort to hide his sexuality and the low-level anti-Semitism he encountered everywhere. One moment he was manically active, the next he was in despair, according to those around him. He had overdosed in the past and had been treated at a psychiatric hospital. On the day he died, his blood contained alcohol, antidepressants and barbiturates.

AI has taken my job

This week I was replaced by AI. I saw it coming, but it didn’t make the news any easier to deal with. To be honest, it terrifies me for the future of our species. If that sounds a bit over the top, hear me out. I am a writer. Not only that, I am a commercially successful one. Although you probably haven’t heard of me, I’ve published more than 300 short stories in women’s magazines over the past 15 years. From ghost stories in Woman’s Weekly to tales of romance in Take a Break Fiction Feast, I write them all. Sorry – wrote.  “Dear Geoff,” the email said. “Going forward, our in-house team will be using AI tools to compile future editions, but we thank you for your many contributions to the magazine over the years. Kind regards, Rebecca.

I’m proud of my utterly insignificant association with NASA

Even though my career has been almost entirely in front of the camera, rather than behind it, I’ve long been obsessed with film equipment. How, then, can I resist a party in LA for Cine Gear, a trade show for new film kit? It’s a good place for the “creatives” to meet the technical guys. The director Dan Trachtenberg is there, and we handle the latest Cooke glass. Cooke has been making lenses in Leicester since 1893, and they are still the best cine lenses in the world. I bought my set of Cooke Speed Panchros in the 1980s, when nobody wanted them because they were “slow,” but now they are back in fashion. They have a warmth and softness that modern lenses strive to emulate because their coatings involved radio-active elements that are not permitted in manufacturing now.

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Bringing Homer into the home: how the Iliad and Odyssey became widely available

Homer’s ghost is particularly busy, popping up in the dreams of pretty much every poet going. In fact if you are a poet and haven’t been visited by Homer, you may find yourself wondering why you’ve been left out. The cultural reach of the two major poems that appear under Homer’s name – the Iliad and the Odyssey – is undeniable. I teach my creative writing students that there are only two stories: the siege and the journey, and there they are, right at the beginning of literary history. They’ve been read continuously for centuries. On my shelves is an edition of Alexander Pope’s Iliad which belonged to my great-great-great-grandfather, in which are still bits of paper put in by subsequent family members.

Sorry, I won’t try to remember your name

As if there wasn’t enough apocalyptic news to keep abreast of, studies show that forgetfulness is on the rise. A cocktail of causes is to blame: microplastics clogging the brain, post-Covid symptoms, Dickensian air quality... whatever the culprit, our memories are taking a pummeling. Call me an inveterate optimist, but I’m glad to have the company. I had name amnesia before it was cool, as the kids say. Place me in front of a new neighbor or colleague, and I can glad-hand, smile and make friends with the best of them. What I can’t for the life of me do is recall that person’s name. (Too busy being paranoid about leaving specks of spit on their tie, or hiding the Mark Rothko installations of my armpit stains.

The Odyssey is shallow and tiring

The Odyssey is Christopher Nolan’s relentless, deafening three-hour take on Homer’s epic poem, and while it is technically impressive filmmaking – IMAX cameras; massive mechanical puppets, minimally pimped up by CGI; thousands of extras – it is set piece after set piece which becomes rather tiring. Even if weariness is part of the point of the Odyssey, it’s no excuse for the film being tiring. Even if weariness is part of the point of the Odyssey, it’s no excuse for the film being tiring What we get is an action blockbuster, without significant depth, although there is some heft to the final act – everybody’s favorite act, surely. Who doesn’t love it when Odysseus finally makes it back to Ithaca disguised as a beggar and no one recognizes him?

Drop the wacky wedding stunts

Picture the scene: it’s midsummer, a bucolic wedding is mid-flow, the bride is radiant, the groom pristine. They stand above their guests in a doorway while caterers ascend the stone staircase carrying the ceremonial wedding cake. But wait! One of the caterers is wobbling! The cake is slipping! The caterer reaches for it but it falls from his hands and tumbles to the ground: splat. A dog appears from nowhere and begins to eat the crumbs. And all of it, every excruciating moment, is captured on camera. Is this one of my night terrors? Well, yes, but it was also the wedding of Anna Boden – the eldest daughter of Boden clothing founder Johnnie – to her now husband Oliver last week.