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I have arrived in Naples, Italy, after an arduous flight from a chaotic London Gatwick Airport. I’m settled in a glamorous top floor apartment in the Quartieri Spagnoli – the romantic old “Spanish Quarter” – where Vespas fizz over cobbles and laundry hangs across alleys like flags of endless surrender. Most importantly, I’m clutching my Apple AirPods3 in their shiny new capsule. Because I’ve come here to do a grand, futuristic experiment using their much-heralded “live translate” function. Does it really work as smoothly as Apple says? Can I actually slot them in my ears and have them translate the Italian speaker in front of me, in real time? Is

There is no greater tabula rasa in the public imagination than grief.  Prince Philip’s four children – no strangers to the glare of public interest – now find themselves the target not of global ire, but rather unusually, of collective sympathy. For public figures, the warm light of communal compassion imbues recognition and significance on the lives of lost loved ones; their grief is one that is shared, which must be a consolation. But in today’s 24/7 news cycle public grief of this kind comes with its own pressures and expectations. In the annals of Royal public relations, this should be a relatively straightforward chapter. Approval for the Royal family soars amid

In January, Channel 4’s Cathy Newman interviewed the Canadian academic Jordan Peterson. The channel broadcast a short version of the interview on the evening news bulletin, where it would have been seen by the few hundred thousand people who watch the programme nightly. But to its credit, Channel 4 also published online the full half-hour encounter. Within days, it was viewed by millions around the globe. The interview, in which the presenter repeatedly tried to misrepresent the views of her interviewee, and in which his responses finally brought her to a confounded silence, became a sensation. Memes of Newman saying ‘So what you’re saying’ washed across social media. Channel 4 News and