Mayhem in Manhattan
It’s important — and easy — to tell the difference between protesters and looters. Just as New York should have been opening up after the peak of the coronavirus lockdown, the city is instead retreating further indoors, hunkering down behind increasingly thick barriers of plywood as the evenings become free-for-alls for window-smashing rioters.New York City, America's cultural and economic engine, is rapidly degenerating into a scenario inspired by The Ωmega Man (1971), a post-apocalyptic movie in which Charlton Heston, seemingly the last unaffected survivor of a chemical-weapons attacks, wanders a deserted Los Angeles by day and fends off increasingly brazen bands of mutant hippies who torch the city every night.