Arts Reviews

For better or worse, the rapper, producer and sneaker salesman Kanye West is almost certainly not running for president, as he has claimed. He is instead sidling into the mainstream consciousness just before he drops his latest album. Kanye has had an odd few years. He's come out in support of Donald Trump, made an impassioned religious album, and failed to build a complex of Star Wars-inspired domes for the homeless. A presidential run, then, feels like a natural next move. Ultimately, though, he does not seem to have even filed the necessary paperwork. This has not prevented progressives from being outraged by what they believe is an attempt to split the liberal vote and hand Trump another victory.

Jimmy Kimmel knows what it’s all about. Now that old skits have resurfaced of him wearing blackface to impersonate NBA player Karl Malone and other black celebrities, the talk-show host has issued the inevitable learning-and-listening apology. But the line that sticks out is this: ‘It is frustrating that these thoughtless moments have become a weapon used by some to diminish my criticisms of social and other injustices’. This is why Kimmel will not lose his show or his sponsors, even with a recording of him rapping the N-word in 1996. He is reminding the mob that he is one of them, or at least can be of use. Don’t cancel me, bro.   Jimmy Fallon won’t be canceled either.

Today, politics is show business and show business is politics. Last week the Academy of Motion Picture Arts and Sciences announced new efforts to improve inclusion institutionally and for the Oscars themselves. A task force has been created to come up with new inclusion standards for Oscar eligibility by the end of July. The Academy’s president Dawn Hudson said: ‘The need to address this issue is urgent. To that end, we will amend — and continue to examine — our rules and procedures to ensure that all voices are heard and celebrated.’We have traveled a long way from 2003. Then, when Michael Moore made an overtly political acceptance speech about George W. Bush, he was forced off the stage as a result.

In an op-ed in the Los Angeles Times last week, filmmaker John Ridley urged HBO Max to remove Gone with the Wind from its platform. HBO Max capitulated right away, temporarily withdrawing the film until it can ‘return with a discussion of its historical context and a denouncement of [its racist] depictions’. As HBO weighs how to address what Ridley and others have described as the film’s romanticizing of slavery, I would encourage them to use the message of the movie itself as their guide.Gone with the Wind is about the perils of romanticizing. The movie begins with young men romanticizing the impending Civil War. ‘War! Isn’t it exciting, Scarlett?’ exclaims one of the Tarleton twins.

On the eve of the 10-year anniversary of the suicide of Tyler Clementi, an 18-year-old Rutgers University student who killed himself after being outed as gay by a roommate, children’s television network Nickelodeon dragged a cartoon sponge out of the closet in a tweet posted Saturday. In doing so, Nickelodeon set a dangerous precedent for LGBT youth everywhere. ‘Celebrating #Pride with the LGBTQ+ community and their allies this month and every month’, the network posted on Twitter above an image of SpongeBob Squarepants bathed in a rainbow glow. https://twitter.com/Nickelodeon/status/1271795092391682048?s=20 Fans have long speculated the beloved cartoon character might be homosexual.

First they came for the patriarchy, and I didn’t speak up, because I wasn’t a man. Then they came for the police force, and I didn’t speak up, because I wasn’t a cop. Then they came for PAW Patrol, and I didn’t speak up, because I wasn’t a three-year-old. Then they came for me, and there was no one to speak for me, because the men were away having their protective instincts surgically removed at re-education camp and the cops had been defunded. I didn’t even have a dog on my side, since PAW Patrol had been canceled and none of the canines out there wanted to be branded as class traitors.

The death of the artist Christo last week in New York at 84 has been the occasion for an outpouring of misty-eyed adulation. I thought I would temper that wave of sentimentality by reprising a column I wrote about him back in 2005 on the occasion of ‘The Gates’, his huge project in Central Park in Manhattan: Andy Warhol once remarked that ‘art is what you can get away with’. And how. Just ask Christo, the Bulgarian-born entrepreneur who wraps things in cloth, calls it Art and sits back while the money pours into his bank account. It is nice work if you can get it. In 2004, Christo and his wife Jeanne-Claude (they work together, like Lady Bracknell and the Duchess of Bolton) took in about $15.1 million. And for what?

Donald Trump views The View as if it were a spouse over the age of 60: with disdain.‘Explain how the women on The View, which is a total disaster since the great Barbara Walters left, ever got their jobs. @abc is wasting time’, tweeted the President during the 2016 campaign.So boomers everywhere gushed with excitement as The Right View — the Trump campaign’s alternative to the ABC talk show — launched on Monday.Cockburn decided to tune in and give Donald Trump's entrance into the ladies' talk show market a chance. The Right View is essentially the offspring of a Trump merch infomercial and a Trump campaign ad.

Back in February when the inspiring documentary about the life of Supreme Court Justice Clarence Thomas, Created Equal: Clarence Thomas in His Own Words, was playing in movie theaters around the country, I wrote a review encouraging you to go see it. Now, it is coming to your own home. On Monday night it premiered on your PBS station, and is repeating throughout the week. This is a great opportunity for you — and now made very easy too.In that earlier review, I wrote about meeting someone who had been completely brainwashed about Justice Thomas. The Thomas he knew was a fictitious personality created and maintained by what Rush Limbaugh refers to as 'the drive-by media.' Thomas has been described by the leading lights of the media as bitter, a loner, a brooding recluse.