Veronica Clarke

Death falls from the sky in Denis Johnson’s 116-page novella Train Dreams (2011) in the form of “widowmakers,” broken tree limbs that can strike heedless loggers. Death burns through forests and arrests the heart of a young man hauling sacks of cornmeal; it rots through the wounded leg of a pedophile; it takes Robert Grainier in his sleep in November of 1968: “He lay dead in his cabin through the rest of the fall, and through the winter, and was never missed.” But Train Dreams, often hailed as a “miniature masterpiece,” is not a story of defeat: it is an elegiac love letter to the unobserved life of the American frontier worker who, though left behind by the steady march of progress, endures with quiet grace.

With The Life of a Showgirl, Taylor Swift set out to do the opposite of her previous record, The Tortured Poets Department. Critics had called that sprawling 31-track project “unrestrained” and “imprecise,” and Swift herself admitted it was a “data dump.” This time, she wanted precision: a lean, 12-track pop record where every beat and lyric fit “like a perfect puzzle.” When Swift announced that music industry legends Max Martin and Shellback were producers on her 12th studio album, fans wondered whether this might herald a repeat of her 2014 smash-hit album 1989.

Like many Westerns, Eddington, Ari Aster’s latest feature, unfolds with the inevitability of a Greek tragedy. It’s late May 2020 – the height of Covid. The ominous opening shot shows the construction site of an artificial-intelligence data center, which threatens the scarce water resources of the titular New Mexico town. A bird drops dead from the sky; a sick homeless man, coughing and rambling incoherently like a mad prophet, slouches toward the town, the dead bird clutched like an omen in his fist. From the outset, we already know the town is doomed. It’s not a question of if, but how. The Western genre and Greek-tragedy framing shape the exploration of this era’s still-disputed history, transforming the recent past into something mythic.