Here’s to ten years of Brexit Derangement Syndrome
I didn’t fully realise how much Brexit Derangement Syndrome – the reaction to being on the losing side in the 2016 referendum – had got hold of even people I loved until I complained to a friend that my 2018 play People Like Us (co-written with Jane Robins, who had been asked to leave her North London book group for liking a pro-Brexit Spectator column of mine on Facebook) would close in the small London theatre where it had played for six weeks. It wouldn’t transfer to a bigger London venue, it wouldn’t open in any provincial theatre and it wouldn’t tour – despite selling out before it opened.