Josiah Gogarty

In defence of Spotify

‘Pitiful.’ That’s the verdict of Damian Green MP, acting chair of the digital, culture, media and sport committee, on the payouts that streaming companies such as Spotify and Apple Music provide to musicians. An update to the group’s Economics of Music Streaming report, published on Friday, calls on the government to take a ‘proactive strategic role’ to make sure Britain’s music industry – one of the few that truly is world-beating – gets the cash it deserves. With streaming now accounting for 84 per cent of UK recorded music revenues, its businesses model really matters.

Why do bankers love techno?

Bankers and other assorted finance bros are an inescapable presence on the London nightlife scene. Industry, the British-made TV drama that follows a group of graduates on (and off) a City trading floor, begins its second series on BBC1 tonight and spares no detail of the drug-fuelled hedonism of its young bankers. One plot arc in the first series starts when the protagonist, exhausted after a long night on the powder, executes a trade in the wrong currency. Some in the field have protested that the on-screen excess is unrealistic. But much of it is apparently inspired by real-world experience. Mickey Down, one of Industry’s creators, spent just over a year working at Rothschild at the beginning of the 2010s.

How middle-class is your dad?

Not all Facebook groups are forums for insurrection, anti-vaccine propaganda and rude remarks about Bill Gates. Some are just places where people talk about their dads. ‘Middle Class “Your Dad” Talk’ is a group where some 23,000 members share observations and witticisms that all follow the same format: ‘your dad is extremely specific about how the dishwasher is loaded’; ‘your dad judges others’ success by how big their kitchen island is’; ‘your dad was building up the courage to confront the postman about leaving the garden gate open until he saw he had a tattoo on his arm’. Mums are generally left alone.

The Economist should be more like Walt Whitman

From our US edition

America is complicated. It’s hard to predict what it’ll do next, despite all the time and money spent observing it. Not without reason is Walt Whitman — with his long beard, loose morals and love of ambiguity — its national poet. In an election year, plumbing the country’s mood is especially crucial. But that doesn’t make it any easier. Once bitten in 2016, the liberal portion of America’s establishment is twice shy, and terrified about slipping into the same complacency over Biden’s chances as it did over Clinton’s. While not an American institution, the Economist fits neatly into the same footloose, cosmopolitan club as the more neoliberal-minded of Democrats.

economist