Alexander Larman

In any other year, the major story of the Trooping the Colour would be how grim and unseasonal the wet, cloudy weather was this June. How the cold and rain potentially rendered the pageantry and pomp of this historic affair somewhat anticlimactic – not that the countless spectators, in person and watching on television, cared.

Eighty years ago, in the run up to D-Day, King George VI and his Prime Minister Winston Churchill were caught up in an unseemly private squabble. Both men wished to accompany the combined Allied forces into battle, knowing that – as long as the initiative succeeded – it would be an unparalleled public relations coup.

The first official portrait of King Charles III since his coronation has been unveiled. Both the artist Jonathan Yeo and the King should be delighted: the vast oil on canvas, which was seen for the first time at Buckingham Palace today, captures a remarkable likeness of the King. One particular work of his might give

Prince Harry’s visit to London this week, to celebrate the tenth anniversary of the Invictus games, was largely overshadowed by the news that his father was ‘too busy’ to see his errant younger son. This may have been despite or perhaps because of the King’s more active public profile thanks to his positive response to

Apple has a reputation for advertising that not only sells their products effectively, but sets a standard few of their competitors could ever hope to attain. Their famous advert for the Mac, which launched forty years ago, was directed by Ridley Scott, fresh from Blade Runner, and channelled Orwell’s Nineteen Eighty-Four to thrilling and iconic

Prince Harry’s occasional visits to Britain are regarded by many with the sense of unease that most people reserve for unexpected tax bills, visits from distant relatives and Jehovah’s Witnesses turning up on the doorstep on Sunday mornings. It would seem that his father feels rather similar about the prospect of seeing his errant son,