Alexander Larman

Alexander Larman is an author and the US books editor of The Spectator.

McDonald’s isn’t worth it any more

When did you last eat at a McDonald’s? If I’d asked this question a decade or so ago, I imagine the answer would probably have been ‘more recently than I’d care to admit’. The Golden Arches were the ultimate fast-food guilty pleasure, where, for considerably less than a tenner, the hungry, hungover or intoxicated could gorge on burgers, chips, milkshakes and chicken nuggets – served swiftly and efficiently. It was never designed to be Michelin-star standard, but everyone knew what they were getting with a Maccy D’s: comfort food that hit the spot and did so with unerring, machine-like competence. Yet now the company seems to be caught in an inexorable decline, as consumers tire of the belly-filling delights.

King Charles is the definition of ‘rebellious hope’

While the world continues to laugh (and, on occasion, groan) at the antics of the Duchess of Sussex, there remains a more serious ongoing issue at the heart of the royal family: the King’s health. As his treatment for cancer stretches on into its second year, with no clear end point in sight, he hosted a reception at Buckingham Palace yesterday for those who work with cancer patients and their families. This is, regrettably but obviously, a subject that he knows a great deal about, but it was still salutary to see how personal and emotive his words on the subject have been. In a booklet that was handed out on the night, Charles wrote: Each diagnosis, each new case, will be a daunting and at times frightening experience for those individuals and their loved ones.

Does Meghan Markle believe she’s still a royal highness?

When Prince Harry and Meghan Markle staged their dramatic departure from the royal family five years ago, there were various conditions attached to their ‘Megxit’. One of the most insistent was that the pair were no longer allowed to use their HRH, or Royal Highness, titles. These were solely reserved for those working royals who are expected to perform often arduous and tedious duties, rather than a pair of chancers who saw the opportunity to monetise their birthright (him) and the chance to cash in on an advantageous marriage (her).

Are we at Peak Movie Theater?

From our US edition

On paper, last weekend shouldn’t have been any great shakes for movie theater attendance. Audiences were offered, respectively, the second weekend of an African American-targeted horror picture; the fourth weekend of a video game spin-off; the re-release of the final George Lucas Star Wars picture, Revenge of the Sith, which has somehow turned 20 this year; and the major new release of the week, the sequel to the Ben Affleck vehicle The Accountant, which was only modestly successful upon its original release in 2016. None of these should have been particularly notable, and the weekend might have been expected to be another grim disappointment.  Well, this has not happened.

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Did Terry Pratchett really write classics?

The news that Terry Pratchett’s 2002 novel Night Watch has joined the ranks of the Penguin Modern Classics series may seem, to the Pratchett uninitiated, something of an eyebrow-raiser. Penguin has proudly announced that the book ‘which draws on inspirations as far ranging as Victor Hugo and M*A*S*H, is... a profoundly empathetic novel about community, connection and the tenacity of the human spirit’ and that it was ‘written at the height of Pratchett’s imaginative powers’. All this may very well be true. But many people, even those millions well disposed towards Pratchett, might be asking another question: why this book, and why now?

Virginia Giuffre was a victim of careless cruelty

The death of Virginia Giuffre by suicide at the age of 41 brings to an apparent end one of the grimmest and saddest sagas that has unfolded in public life in the past few decades. Giuffre, who came from a troubled and unhappy background and later became prey for both the billionaire paedophile Jeffrey Epstein and his enabler Ghislaine Maxwell, was one of the classic ‘small people’ who is used and discarded by the powerful and perverted. It is hard not to remember the famous lines from The Great Gatsby when thinking about her fate: They were careless people, Tom and Daisy – they smashed up things and creatures and then retreated back into their money or their vast carelessness or whatever it was that kept them together, and let other people clean up the mess they had made.

Andor is Star Wars for grown-ups

From our US edition

The critical reception to the second series of Andor has been nothing short of ecstatic. At the time of writing, it has a hugely impressive, near-unprecedented 99 percent “Fresh” rating on Rotten Tomatoes, far in excess of any other Star Wars movie or television spin-off. Its creator and showrunner Tony Gilroy, who has been open in the past about his relative disdain for fantasy in general and Star Wars in particular, has been doing the interview circuit and making it clear that he has no interest in fan service. He told the Daily Telegraph, “Some people have a problem: ‘It’s not for kids. There aren’t enough creatures in it.’ Well, I don’t make that show. Sorry.

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Putin’s tacky gift to Trump reveals his dark sense of humour

For all his many faults, Vladimir Putin is not without a jet-black sense of humour. The Russian president has given Donald Trump a painting. Many might have expected this to be a traditional piece of Russian art, depicting some rural scene, or perhaps something more avant-garde, from the contemporary Moscow movement. But no; Putin has instead sent Trump a picture of the aftermath of his assassination attempt last July. The portrait, by Russian artist Nikas Safronov, is not what most people would call tasteful or accomplished. It depicts the president (notably slimmer and younger-looking than in reality) holding up a clenched fist in a gesture of defiance.

Prince Andrew’s Easter appearance was a royal blunder

Every Christmas, Easter and other public gathering, the Royal Family are faced with an unfortunate choice: what to do about the two pariahs in their midst? One of them, Prince Harry, is sulkily ensconced in Montecito, and tends mainly to pop up in this country when he’s fighting yet another legal battle. The other, however, who has been even more of a public embarrassment over the past six years, resists any entreaty to remove himself from the spotlight. Should the Firm simply throw Prince Andrew out altogether, or allow him to tag along whenever they’re all assembled, and hope for the best? It was the latter option that the royals took this Easter Sunday.

Toby Carvery has disgraced itself, but not for the first time

The admission by Toby Carvery that it chopped down an ancient oak tree overlooking one of its pubs has outraged anyone who cares about arboreal preservation, British heritage and decent food and drink – not necessarily in that order. The Mitchells and Butlers group, which owns Toby Carvery, issued a statement saying that the tree in Whitewebbs Park in Enfield, north London, was felled because they 'were advised by our specialist arboriculture contractors that it caused a potential health and safety risk'. 'This was an important action to protect our employees and guests as well as the wider general public, to whom we have a duty of care,' a spokesman for the pub chain insisted. But is that really the case?

Black Mirror season seven offers a welcome return to form

From our US edition

Charlie Brooker’s cautionary technological tales have now been running for well over a decade, and they are almost in danger of seeming old-fashioned. When Black Mirror began in 2011, Instagram was only a few months old, the iPhone was a new novelty just coming into the mainstream, and Elon Musk was best known for being CEO of Tesla. Now, virtually everything in the world has changed, and Big Tech plays roles in our lives that the ever-cynical Brooker could barely have imagined. There is, naturally, a residual irony that in order to afford the budgets – and starry casts – that the show continues to demand, it long since left its original home on Britain’s Channel 4 for the deeper-pocketed Netflix, which still funds it into its seventh series.

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The final act of Thomas Pynchon

From our US edition

Whisper it, very quietly, but the now 87-year-old author Thomas Pynchon is having something of a moment in 2025. Not only has his 1990 novel Vineland supposedly served as the loose inspiration for the eagerly awaited new Paul Thomas Anderson-Leonardo DiCaprio collaboration One Battle After Another, but the near-impossible has been announced: Pynchon will publish a new novel, entitled Shadow Ticket, around the time of the movie’s release. It will be his first book in more than a decade, his ninth novel and his third consecutive noir-influenced story.

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Meghan Markle’s new podcast is just toe-curling and unsubtle dross

At the beginning of the debut episode of Meghan Markle’s new podcast, she is keen to assert her own identity. After flirting with tradwifedom in her most recent Netflix show With Love, Meghan, she is now casting off her brief nomenclature of ‘Meghan Sussex’, but nor should you refer to The Artist Formerly Known As The Duchess of Sussex as ‘Meghan Markle’ any longer. Instead, she is simply ‘Meghan’ these days, like Madonna, Buddha or, to name another showboating and opportunistic celebrity who had a penchant for backing into the limelight, Liberace. Not that Confessions Of A Female Founder features anything so interesting as its presenter offering the world a virtuoso piano solo.

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The genius of Gene Hackman

From our US edition

When the news of Gene Hackman’s death at the age of 95 was initially reported, ghoulishness quickly overtook sorrow. The unsolved-crime aspects of his death dominated the coverage. The actor, his wife Betsy Arakawa and one of their pet dogs were found dead in their New Mexico home in February. They were likely to have died as many as ten days beforehand. The police were swift to suggest that, while initially unfathomable, there were no signs of foul play. Still, this did not stop the usual conspiracy theories, including the indomitable Randy Quaid declaring that Hackman was murdered by the “Hollywood Star Whackers,” who also “got” Heath Ledger and David Carradine.

The true purpose of King Charles’s Italy trip

After some recent bad news for King Charles in the form of an – admittedly fleeting – setback in his ongoing cancer treatment, you could hardly blame him for wanting a brief respite from the gruelling health challenges that he has faced. And respites don’t come more glamorous or enjoyable than the state visit that he and Queen Camilla are currently undertaking to Italy. It is appropriate that the trip coincides with their 20th wedding anniversary this week. The published itinerary suggests that fun, rather than onerous duty, will be the guiding spirit of the four days that they will be spending in Rome, Ravenna and other locations in the country.

Is today’s TV British enough?

There is a decent chance that most Spectator readers have seen at least one of the following: the much-ballyhooed Adolescence, the rather less controversial Black Doves, and the once-magnificent, latterly tawdry The Crown. From the travails of royalty to the horrors of a child killer, via the acrobatic derring-do of unusually witty spies, these shows include some of the greatest British actors working today. They are all quintessentially English in their settings. All three have been hugely successful and should, by rights, be programmes that the British television industry should be extremely proud of. Except, of course, they’re not British. Well, not wholly, anyway.

Prince Harry can’t seem to stay away from Britain’s courts

As flies are to wanton boys, so Prince Harry is to the British legal system. Amidst perhaps the most serious reputational controversy that the Duke of Sussex has yet faced – the Sentebale drama – Harry will be returning to the Court of Appeal in London next week. There he will attempt to overturn the High Court’s decision that he should not be allowed taxpayer-funded police protection on his and his family’s visits to Britain. If he is defeated, it seems likely that his time spent in Britain will become fleeting at best This case has placed the man who was once third in line to the throne in the unusual position of suing the government – legal fees for which have already cost him £1 million, and will only mount up.

Val Kilmer should be more appreciated in death than he was in life

From our US edition

The late Val Kilmer was difficult. That word is a kiss of death in Hollywood, because as soon as it’s murmured that you are hard to work with, your career declines inexorably. Kilmer had directors lining up to say how impossible he was. Joel Schumacher, who made Batman Forever with him, barely stopped kvetching about the actor, calling him “overpaid, overprivileged and psychotic.” Shortly after the film’s release, Schumacher said “He was badly behaved, he was rude and inappropriate. I was forced to tell him that this would not be tolerated for one more second. Then we had two weeks where he did not speak to me, but it was bliss.

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The problem with Oxfam Books

My home city of Oxford has been ravaged by shop closures over the past decade but there is still one outstanding second-hand bookshop (the estimable antiquarian department at Blackwell’s apart) and it’s the Oxfam bookshop on St Giles. Thanks to a regular donations from dons and writers, there are invariably high-quality and interesting items on its shelves, priced sensibly and reasonably. In the past, I reckon I’ve spent a decent three-figure sum there most months, which I persuaded myself was going to developing countries and their good work, rather than growing my unreasonably large collection. Yet I’ve rather fallen out of love with the Oxfam St Giles ever since it did something unexpected a couple of months ago: it stopped me buying books.

If only Meghan Markle’s ‘As Ever’ launch was an April Fool

On April Fool’s Day, it is all too appropriate that the latest announcement from the Duchess of Sussex has the grim air of a not particularly funny joke. Yet in her newsletter – her newsletter – Meghan has let it be known to her adoring public, or at least the Sussex Squad, that they, too, 'can mimic the magic of Montecito'. It is the (in)famous jam that receives most attention Given that her husband is currently engaged in a reputation-slashing PR disaster with the demise of his Sentebale charity, then perhaps many would suggest that 'the magic of Montecito' may be in danger of wearing off. But this does not stop the indefatigable Duchess from pushing her 'As Ever' range to her people. After all, money has to be made.