Wordplay

Glyph (whose sibling, Gliff, was published last year) is Ali Smith’s 14th novel and her fifth since 2016, when her ‘Seasonal Quartet’ saw the beginning of her project to use fiction to comment on contemporary events. It takes as its subject two sisters. Petra and Patricia (‘Patch’) negotiate their difficult childhood by retreating into a story world. Not that their escape is all unicorns and rainbows. The two stories they most often return to involve a horse blinded in the Great War and a man’s corpse flattened towards the end of the second world war. They call this flattened man ‘Glyph’: it’s ‘the sound he makes when he breathes out’.

Vanessa Salomon is an internationally successful translator. Clever, beautiful, privileged – ‘born in a trilingual household: French, English and money’ – she can indulge herself professionally with obscure, neglected books. About to embark on a forgotten nouveau roman by Alain Robbe-Grillet, she’s offered an irresistible assignment. A bestselling French novelist who is definitely not Michel Houellebecq wants to pay her an extravagant fee to translate his next book – before he’s written it. Vanessa accepts, and her life free-falls into a nightmare of dangerous, sadistic games, involving two possible Not-Houellebecqs, but which is the imposter? She herself is a very unreliable narrator. Bad Eminence is the American writer and musician