Carlos Acosta, the great dancer, should be a full-time novelist
Carlos Acosta, the greatest dancer of his generation, grew up in Havana as the youngest of 11 black children. Money was tight, but Carlos won a place at ballet school, and before long he was enthralling audiences at Covent Garden as a half Jagger, half Nureyev figure with a twist of the moon-walking Jackson in the mix. Now Acosta is about to leap into the world of literature with a debut novel, Pig’s Foot, written over a period of four years during rehearsal breaks. For all its manifest debt to Latin American so-called ‘magic realists’ (Marquez, Borges, Vargas Llosa), the novel stands triumphantly on its own. In pages of salty-sweetprose,