Paul Mescal

Ruthlessly manipulative: Hamnet reviewed

Hamnet is an imagined account of William Shakespeare’s marriage to Agnes (Anne) Hathaway, their unspeakable grief at the death of their son (the titular Hamnet) and how this may have inspired Shakespeare to write Hamlet. It stars Paul Mescal and an extraordinary Jessie Buckley, who will likely win every award going, yet be warned: it does do everything it can to make you cry. You can hold out and hold out and refuse to be emotionally manipulated, as you’re better than that, but when Max Richter’s ‘On The Nature of Daylight’ kicks in at the end you will give up the fight. Take a hanky if you do not wish to deploy your sleeve.

Is it meant to be a comedy? Gladiator II reviewed

It’s nearly 25 years since Ridley Scott’s Gladiator came out and you’ve probably been wondering what happened to the little boy in that film. I know I have. I can’t say it’s kept me up at night, but at the back of my mind it’s always been: where is Lucius, son of Maximus, nowus? Well, Lucius, son of Maximus, is nowus a strapping lad with thighs of steel who has been forced to become a gladiator and fight for his life just like his pop. This film borrows heavily from the first instalment. True, it does have some new elements. It has Paul Mescal, Denzel Washington, monstrous man-eating baboons, sharks, a camp little monkey in a frock and all the historical inaccuracies we’ve come to expect from Scott.

This month in culture: November 2024

From our US edition

Here In theaters November 1 What happens when the director, writer and stars of Forrest Gump get together in 2024? A goosebump-inducing story of family, time, space, home and the enduring nature of love. The “Here” in question is taken from the graphic novel by Richard McGuire, which tells the story of a location through generations and eras, transcending time. Director Robert Zemeckis plays on the panel-frames of graphic literature by employing a fixed camera angle throughout the film. AI de-aging technology is used to depict the actors from teenagerhood through their eighties. Tom Hanks, Robin Wright, Paul Bettany, Kelly Reilly and Michelle Dockery star.

Culture

Can Gladiator II save a genre — and a studio?

From our US edition

The trailer for Ridley Scott’s new epic, Gladiator II, is undeniably impressive, but then it rather had to be. Rumors that its already massive budget had ballooned to as much as $310 million — which would mean it would have to be one of 2024’s highest-grossing movies just to break even, never mind making a profit — may have suggested that the film was in trouble, but an early screening of the preview at the CinemaCon convention in Las Vegas reassured exhibitors and studios alike, with the few journalists who had seen the footage rushing to extol its scale and grandeur. Now it’s been released online, and viewers have a chance to judge for themselves. (Its cinematic debut will come with Deadpool vs Wolverine.) Does it look like a worthy follow-up to Gladiator? https://www.

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