Home guard

Wednesday

The Spectator

Letters: it’s hard to undo dumbing down

Tales from the City Sir: Simon Jenkins’s article on Liverpool Street Station (‘Horror storeys’, 9 May) is inaccurate, and an insult to every councillor on the City of London planning committee, whose professionalism I defend. Saying the committee was ‘clearly going to approve’ the application amounts to an allegation of predetermination. That is a serious charge against every councillor present. It is also untrue: 22 members heard the case and three voted against. Sir Simon writes that ‘both schemes were presented to a packed City planning committee’. This is also untrue. There was one planning application before the committee that day.

Thursday

Laura Gascoigne

The art of the pillbox

When Oscar Wilde famously claimed: ‘All art is quite useless’, he may not have had artistic subjects in mind. But it’s certainly true that since the Romantic era, artists have had a special affection for the superannuated. An image of an abandoned building with some sort of past, not necessarily glorious, appeals to our emotions, be it Rachel Whiteread’s ‘House’ or Constable’s ‘Hadleigh Castle’. Even ephemera pre-loved by strangers evoke nostalgia when incorporated in the shadow boxes of Joseph Cornell or the assemblages of Peter Blake. But what about things that are not just obsolete but have never had any use at all? That’s the curious question prompted by a new exhibition at Bodmin Keep, Cornwall’s Army Museum.