Bauhaus

How interwar Germany became a breeding ground for evil

Did no one who lived through the Weimar Republic of 1918-33 see what was coming, asks Victor Sebestyen in his impressive new book. The politicians, the intellectuals, the foreign visitors who converged on Berlin in the wake of the first world war all wrote about the anti-Semitism and violence they witnessed, but virtually no one perceived where Germany was heading until it was too late. A great deal has been written about the Weimar years, much of it in hindsight; but Sebestyen, the author of bestselling books on Hungary and Russia, sets out to relate events as they unfold – to tell the story as it happened. The result is

In praise of goths – the most enduring of pop subcultures

More than 40 years on, every town still has them, wandering the streets with pale skin, more make-up than you can find in Superdrug, swathed in acres of black fabric. Goths, rather unexpectedly, have turned out to be the great survivors among pop subcultures. Others have risen and faded, but the goths – laughed at, ignored, dismissed – have endured, seeing their style and their musical tastes slowly incorporated by everyone else (there’s even a goth version of hip-hop, known as ‘horrorcore’). Goth was a fitting name for the music: overbearing and foreboding; delivering ecstasy through the building and releasing of tension rather than through major chords and primary colours;