Poems

There is Within Us Eternal Spring

Who are we to wish the clocks reverse and we are back to spring? Who would deny the falling leaves, the receding hairline of autumn? Who would wish away the change in air, hope to transformation? The elegance of gusty days, leaves flying in eddies of reminiscences, a quiet comfort to becalm the storm, to listen to the fury, out there, elsewhere. We embrace autumn and even winter has its charms, embraced in wonder. Time is a ghost, but we aren’t yet, we welcome new horizons, waiting.

Days

How slow the days pass, creep like this river as it slides slovenly under its stone hoop the floating leaves like pencil shavings. There is too much time. John posts a poem on being blazered up for school. I read it, smell new shoes, remember my High School badge, the braid, the Latin tag. ‘We sow, we water but it’s God that gives life to the seed’ (‘and pays the compound interest’) Father quipped but I was young, I didn’t understand. Nor did I know how long that clear, untrodden life of mine might stretch, be like this river, nosing its way somewhere with me in tow.

Cups and Bowls

The kettle doesn’t know it needs a cup To hold the water it was plugged to boil: Where was the I when nature thought me up? When air entered my lungs, made me uncoil? Now that the body starts to flinch and falter, There’s no way that the I is getting out. Nature persists as circumstances alter. The cup’s the part that’s broken, not the spout. Again, what of the primal soup so-called? What consciousness was lurking in that gloop To meet the grateful bowl that holds our brains? Brimful, our life, and what it all contains Is nothing but the sight of death, forestalled By stubborn hope of something more than soup.

Orwell’s Allotment

We’d see him digging in tweeds, as gangly  as a trellis of snap beans, his footprints like sinkholes in the earth. This is where  the plots thickened; his tie slung over his  collar, his shoulder pressed to the shovel.  Tired of the schoolroom, he swapped  chalk for trowel, tending the sorrel coming  up for air. The allotment was his Innisfree,  humming tunelessly with the bees, bothered  only by robins and chiffchaffs. Unlike Yeats,  he knew that one bean-row was enough.   But it never seemed to do him good.  As sickly as a blighted marrow, his skin was pale as parsnip.

By Candlelight

We read poetry to each other by flickering glow,  leaning into lilting seas, an eloquent calling,  a mesmerising renewal, our whole world opens up before us, clear light, sensation of sand on  toes, warm and delicate as future memories, feelings of spring, a quiet warming of lives to all that’s to come. Voices gently tremble, so close to each other now, an opening up  of hearts and flowers. Candles flicker in distant breeze, articulation of poetry’s sacred grace,  something so powerful to articulate the stars, the whole universe is in our hands, lush oasis in the tempest, words and lips hold such power, books fall to the floor, the night is ours alone.

A Thousand Ships

That must have been a fairly happy day — squeezed together in the booth and making silly faces. I found the four-leaf photo in a folder from some fifty years ago — she a beauty, me a gurning extra — and wonder how she fared, what stars and headlands she steered by… That year we hitched round Holland, stayed in houseboats and a Javan commune, paid homage to the Van Goghs and the Rembrandts. No trace of her on the nosy internet — though she may have assumed another name. I’m left with the hope, whoever she became, happier days befell her. A fledgling actor, she took the silent part of Helen in Marlowe’s play.

War Child

Not the yellow brick road but footprints in ash. Not the fullness of time but a mother’s empty arms. Not the birthday gift but sudden loss unwrapped. Not the echo of laughter but fierce residual grief.            ************** When hope goes into hiding it always loses face as school becomes a wilderness of broken desks and dreams. No lesson now is left to teach that does not hold a gun and lie in wait for innocence to end it on the street.            ************** Not a house still standing but the memory of home. Not a promise of peace but a leader’s empty words.

The Adulterer’s Mirror

Love, in the reproducing mirror,  hides its whispers and caresses  between the glass and backing silver  from the husband, who stands and dresses every morning there, combing his hair, straightening his tie, for another thirty years, up to the day he will (still unsuspecting) die.

B Roads

The years have taught me to take a B roadwhenever I can dodge the stress of work,and celebrate not hurrying alongto a deadline, meeting or appointment. Switchbacks and hummocks, valleys and bridges,warehouses and workshops, churchyards and pubsinstead of never-ending hard shouldersand motorway tarmac’s relentless thrum — longer, slower, even meandering,B roads let their tales unfold, mile by mile.They stop me pointlessly churning overwhat might happen at my destination.

Four Seasons

Tilt of a planet brings the spring,buds and flowers burgeoning. Summer and sunlight feels so strong,mornings bright and evenings long. Enter the autumn’s yellow flakes,rust and bonfires, leaves and rakes. Into the winter on we gowith no escape from wind and snow. And what is season number 5?Nothing. Nowhere. Not alive until the spring again arrivesby resurrecting other lives.

The Signal Box Revisited

Nothing has changed since I first saw Helpston flash by, years ago now, the same wide fields, the flatness, the serious hedges. Valerian has thickened up along the track and there are stands of dog daisies and plumy grass. John Clare lies at Helpston and I learned only today that Blunden took his poems to the Somme. He read them in old shell holes where convolvulus trailed all bright with butterflies and larks sang overhead. John Clare wrote about such things too. War never burned his land, the churches and the lonely farms still stand.

Fallow Deer

on seeing Turner’s Lake: Fighting Bucks at Petworth House A gang of toddlers, held back by ropes like the deer outside, sit cross-legged or belly-down  under the painting, entranced by each other’s newness  and collective heft. An afternoon pegged  in managed chaos by mothers who crop what they can of the masterpiece, its supple sentience – a lake that breathes, daisy-flick of cricketers transient as the herd roaming in glaze through our minds in a park gouged for fake water that lies beyond these windows.  Inside the curlicued frame, sunset rusts between branches,  softens the children’s upturned faces.

Unearthing

I’d not go out there now if I were you –  not unless you have a taste for fire falling in flakes, for clouds of dust that leave an acrid chalky residue on wigs and epaulettes. If I were you I’d be inclined to stay inside at least until the ground had ceased to shake, the roads to crack – unearthing bad things we buried not that long ago. We’ve all been out enough by now to know it’s not the best of times to feign disinterest now the pillars of the temple are askew, now slates are flying, bridges burning and the big cats have bust out of the zoo.

Stroke

A burden to the kind and noble I now depend on other people I did not want to feel the stroke which left me paralysed and stuck making noises instead of words blurting out sounds that sound absurd but I know what they’re meant to mean although I’m now a dud machine and cannot move with motor skills now brain is damaged in the skull from lack of oxygen and blood my face collapsed and mind went dead it felt like sudden suicide and sometimes now I wish I’d died.

Pearly

The gurgle of a tap becomes the street’s first song, a busker tuning up for crumbs of daylight.                   His mother’s shadow tiptoes in, bends to his ear, hers the white dressing gown, the light breeze on his cheek whispering                    ‘Jack...   Jack... We have to get up early.’ ‘What’s a pearly?’ Beyond the window’s dinosaurs  streetlights go out, a robin sings. On a glazed road, shining, a snail’s odyssey begins.

Vinegar

A bad night for a scattering.             The river’s mouth was full. Sucked in its draught the last of him             seemed indissoluble. So once again she’d got things wrong.

Peepshow

Her end of terrace up for sale I lift old photos off the wall,  leave three sun-faded patches where no face looks down to judge or care which dresses, blouses, skirts I drop in bin bags for the hospice shop or, delicately cavalier, sort lipsticks, powders, underwear, chuck peep-toes, slingbacks then throw in high heels for shoebank, boots for bin, until, boxed up, price-tagged, risqué, I find, unopened, tucked away, sheer stockings, slips, pink camisole, a Charvet scarf, Kashmiri stole, knocked off, long hidden in this drawer illicitly still waiting for that starry night, that final fling time larcenously failed to bring.

Winter Wedding

The moon trails its glitter in the Thames. A Welsh Elvis sings If I Can Dream and the party begins.                                              The old slip away to soft chairs, drink tea.                                                    The young spin with the silver globe’s stars on the ceiling, arms raised, in the current of their joys as if love had ushered them downstream through arches to the sea.

Sob Story

Grief itself gives no more license to a drunk than rain gives dust, emnity its spitting distance, trellising convolvulus. Skirting consecrated woodland drink now helps him loose the plot where her turnip heels, he fancies, drum, unhinged, against wet rot. Foxgloves make their sly exchanges, Queen Anne’s Lace waves its goodbyes, ivy wrestles Lords and Ladies into ditches, damselflies dressed in finery for slaughter hover over poppies sown wild to bleed through Lady’s Bedstraw cuckoo, linnet, thrush have flown.

It Still Goes On

Prisoners of war and victims of hunger they reach for food through invisible bars. Their homeland a prison, they gather together wherever aid workers arrive in the street. Their empty bowls are upturned helmets held at arm’s length as if begging for peace. Victims of war and prisoners of hunger, either or both are a world without end.