Which of the Beatles would you most like to have been? Not either of the dead ones, presumably. Nor the one continually derided for his alleged lack of talent. Definitely not the embarrassing, gurning, two-thumbs-up uncool one… Anyway, it’s a trick question. The correct answer, at least it is for me after watching The Beatles:
What can parents do about the avalanche of pornography available to their children on tablet, phone and laptop? This question was the starting point for a documentary series that began on Wednesday — and the answer proved unexpected. Having gathered five mothers together and shown them a hair-raising selection of online filth, the programme blithely
Halfway through the first part of Channel 4’s extraordinary documentary Leaving Neverland (Thursdays), I flicked through the comments on social media in order to gauge the global reaction. Surely, I thought, Michael Jackson’s reputation will never recover from these bombshell revelations. If you sat, squirming, though Dan Reed’s excruciatingly prurient documentary you’ll know what I
BBC2’s MotherFatherSon announced its status as a classy thriller in the traditional way: by ensuring that for quite a long time we had no idea what was going on. At first it looked as if the focus would be on a missing teenager whose phone we saw abandoned in the woods. But then we cut
Steve Coogan is back as Alan Partridge but frankly who cares? Like Ali G, I’ve long thought, he’s one of those ‘classic’ 1990s comedy characters funnier in recollection than ever he was in reality. He should have been confined to brief sketches — like Paul Whitehouse and Harry Enfield mostly did with their cheesy has-been
What’s the best way to start a six-part thriller? The answer, it seems, is to have a bloke of a certain age pottering about at home when he’s suddenly and shockingly murdered by asphyxiation. You then roll the opening credits, forget about the dead guy and introduce the main character, who’s asked to take part
‘I know, let’s repaint the Sistine Chapel. But this time we’ll get it done by Banksy.’ Perhaps this wasn’t the exact phrase used in the early production meetings for the Sky Atlantic reboot (ho ho) of Das Boot (Wednesdays). It does describe pretty well the net result, though. Yes, I know James Walton covered it
You might well expect a royal documentary on Channel 5 to be unashamedly gossipy. You might also expect it to go for the simultaneous possession and eating of cake — lamenting the endless scrutiny the poor Windsors are subject to, while adding a fair amount of its own. What you mightn’t expect, however, is for
Boy often likes to rebuke me for having impossibly high standards when it comes to TV. ‘Why can’t you just enjoy it?’ he says. This is disappointing. One reason I ruined myself to give him an expensive education is so I wouldn’t have to share my viewing couch with a drooling moron happy to gawp
Last year on Who Do You Think You Are?, Danny Dyer — EastEnders actor and very possibly Britain’s most cockney man — discovered that he was a direct descendant of Edward III. Luckily, nobody had the heart to tell him that for somebody of English stock the chances of not being are estimated at 0.0000000000000000000000000001
As the Allies advanced towards Germany in September 1944, their supplies were brought all the way from western Normandy in a constant shuttle convoy known as the Red Ball Express. If you were making a realistic movie about this, three quarters of the truck drivers would be played by black actors, because that’s how it
Here’s a tricky quiz question for you. What word completes this sentence from a BBC4 documentary on Friday: ‘The world as we know it was created by the…’? The answer, bizarrely enough, is ‘backbeat’ — because the documentary in question was On Drums… Stewart Copeland!, in which the former Police percussionist took a fiercely drum-centric
Jimmy McGovern’s one-off drama Care (BBC1, Sunday 9 December) began with a loving grandmother called Mary having a lovely time with her loving grandchildren. During a laughter-filled visit to the chip shop, she also tested their maths by asking how much their order would cost, and they answered with impressive aplomb. So could it be
Don’t watch The Sinner (originally on Netflix; now on BBC4) because, despite your better judgment, you’ll only get addicted after its irresistibly grabby opening. A pretty if slightly distraite mother called Cora Tannetti — Jessica Biel — is on a lakeside beach with her bearded beta cuck husband and their little boy, surrounded by other
Shortly before her husband’s funeral, the undertaker told the eponymous main character in Mrs Wilson (BBC1, Tuesday) that, ‘We’re here to make this tragic time as straightforward as possible.’ By then, though, we already knew this remark was the kind that, in a school set book, would soon be underlined with the words ‘Dramatic irony!!’
Narcos is back on Netflix, set in Mexico this time, with a cool, world-weary, manly voiceover swearily lecturing us at the beginning that if we smoked sensemilla in the 1970s, then we were partly responsible for the bloody, endless drug wars that went on to kill more than half a million people. Oh really? Sensemilla
The opening episode of BBC1’s Dynasties — the new Attenborough-fronted series from the Natural History Unit — introduced us to ‘a territory ruled by a strong and determined leader: an alpha male known as David’. Despite what you might think, though, this wasn’t a reference to the Natural History Unit itself, but to a troop
I wonder if Wisconsin has any idea what an international embarrassment it has become? By rights it ought to be an unexceptionable place, little more than the quirky answer to the occasional trivia question: ‘Where is the Badger State?’; ‘Whose state governor shares a name with the singer of “The Sun Ain’t Gonna Shine (Anymore)?”’;
The Little Drummer Girl (BBC1, Sunday) is the new John le Carré adaptation from the production company that brought us The Night Manager. It’s also directed by Park Chan-wook from South Korea, a man generally referred to by film buffs as an ‘auteur’. All of which may be just as well, because with a less
‘How did this mild-mannered eye doctor end up killing hundreds of thousands of people?’ someone wondered about Bashar al-Assad in BBC2’s extraordinary three-part documentary A Dangerous Dynasty: House of Assad (BBC2, Saturday). It’s a question we’ve all occasionally pondered as the Syrian body count rose — 500,000 thus far — and as six million refugees
